пятница, 31 декабря 2010 г.

Did 'Buried' Screenwriter Break Academy Rules With Letter to Members?

Campaigning for an Academy Award is big business. There's a heck of a lot at stake -- careers can be made or boosted with an Oscar nod; an Academy Award-winning film can go on to earn appreciably more money at the box office; future work in the industry can rise or fall on an award. No wonder, then, that the studios pull out all the stops during Oscar season, offering free screenings to members of the Academy as well as the other guilds; inundating voters with DVD screeners; paying thousands and thousands of dollars on ads in the trades, newspapers and online; and generally doing everything they can to raise awareness about their films -- within Academy of Motion Picture Arts and Sciences rules, of course.

Which brings us to'Buried'screenwriter Chris Sparling, who, according to a report atEW.com's Inside Movies,may have broken Academy rules by sending a letter to members of the Academy's writers branch, urging them to vote for 'Buried' for Best Original Screenplay. This is a big no-no. Apparently it's OK to spend five figures on an ad in variety extolling your film, but you can't send members a personal note.

According to Academy rules,"Brief cover letters may accompany screeners and scripts"... but"Mailings that extol the merits of a film, an achievement or an individual are not permitted. Mailings containing quotes from reviews about a film or achievement are not permitted, nor should they refer to other honors or awards, past or present, that have been received by either the film or those involved in the production or distribution of the film."

Here's what Sparling wrote:

Dear Screenwriter,

Here's your writing prompt.

You are to write a feature-length screenplay with only one on-screen character. This character is to remain in only one location for the entire duration of the film, and that one location must be a 2' x 7' wooden box. You cannot use flashbacks, cut-aways, or any other narrative device that would take the action outside that box.

And ...

The film based on your screenplay must be met by incredibly high critical praise. Roger Ebert must give it 3 1/2 out of 4 stars and give it two thumbs up; Variety must remark that the film is"...an ingenious exercise in sustained tension that would have made Alfred Hitchcock proud;"Jeffrey Lyons must describe the film you wrote as"Mesmerizing;"and you must be awarded Best Original Screenplay of 2010 by the National Board of Review.

Sound impossible? It's not. In fact, all this exactly describes the film BURIED.

If you have not yet seen BURIED, I respectfully ask that you at least read the screenplay before casting your Academy Award vote for Best Original Screenplay. And while BURIED might not end up being your first choice (or even second or third), please consider it for fourth or fifth. This project represents the hard work of so many people -- people who were willing to take a chance on my so called"impossible"script, and I speak for all of them when I say we would be honored to land on your ballot for Best Original Screenplay.

Is Sparling on thin ice here?

This is not the first time that Academy rules on"personal"contact have been broken. Earlier this year, as the Oscar season was winding down,'The Hurt Locker'producer Nicolas Chartier sent e-mails to voters asking them to vote for his film. It caused quite a stir as well as anguish among the Academy hierarchy. His punishment? He was banned from attending the 2010 Oscar ceremony.

'The Hurt Locker' went on to win the Oscar for Best Picture. Hmmm ...


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четверг, 30 декабря 2010 г.

Cinematical Presents: The Lamest of 2010



We've arrived at the very end of 2010, which means it's finally time to unveil our hotly-anticipatedHottestandLamestlists, both of which tunnel through the year that was in search of the hottest and lamest as it pertains to the films, actors, actresses and trends that populated our world over the past twelve months.

This year we've changed things up by reducing our lists of 25 to two lists of 10, highlighting only the very best (and worst) as voted on by the movie/pop-culture freaks here atCinematicalandMoviefone. We kicked things off yesterday with out10 Hottest of 2010, and now we conclude our journey through the year with ourLamest of 2010, which you'll find after the jump.

10. Megan Fox



This former"It"girl went from taking the world (and hearts) by storm to ... starring in'Jonah Hex'. After neatly tucking two mega-successful 'Transformers' movies under her belt,Megan Foxthen proceeded to enter a war of words with director Michael Bay, which subsequently got her fired from 'Transformers 3', and then made a few terrible career choices that included the awful 'Jennifer's Body', the atrocious 'Jonah Hex', and the indie 'Passion Play', which you probably never heard of and won't hear from ever again. Kind of like Megan Fox, who, barring any perverse, much talked-about nude scenes, will fade from obscurity after her next handful of small, meaningless roles. --Erik Davis


9. The Rom-Com



Oh, the rom-com. In theory, there's nothing wrong with romantic comedies. They're nothing more than films that offer romance intermingled with laughs, like 'When Harry Met Sally' and 'Love Actually.' But Hollywood loves to linger on the worst of the form, offering up trite, formulaic and nausea-inducing repetition that leeches onto the same stories, clichés and actors. Sadly, the worst of the bunch --'Valentine's Day'-- also made it into the Top 20 of 2010, and is getting a sequel set around New Year's Eve. Happy New Year to us, the trend will only get worse from here. --Monika Bartyzel

8. Mel Gibson



We're not sure if you've heard, but it was kind of a bad year for Mr.Mel Gibson. Few Hollywood A-listers have ever imploded so majestically as ol' Mel did via misdeeds that include, but are certainly not limited to, unleashing a horrifically bigoted rant at his girlfriend, who had the good sense to record it andleak it to the media; allegedly punching his girlfriend in the face while she was holding her baby; releasing a dud of a movie ('The Edge of Darkness'); having his so-called comeback vehicle enter limbo and ultimately pushed ('The Beaver,' out in March 2011); and getting fired from a simple cameo role ('The Hangover 2'). Time will tell if he'll ever be able to restore his former mega-watt celebrity status, but we tend to doubt it considering that no one seems to want to work with him anymore. As Gibson himself told Danny Glover in 'Lethal Weapon,'"I don't want to work with you, either!"-- something Gibson better get used to saying. --John Sellers


7. Dimming Star Power



Remember the days when the names on the marquee made audiences want to see a movie? Throwing together two big stars and a shoddy plot in the past spelled box office bucks, but this year that just didn't cut it. Both the Tom Cruise/Cameron Diaz vehicle'Knight& Day'and the Reese Witherspoon/Owen Wilson/Paul Rudd threeway'How Do You Know'didn't draw huge numbers. Even 'The Tourist', with fan favorites Angelina Jolie and Johnny Depp, was criticized for being nothing but a shallow flash, despite its Golden Globe nominations. It seems like the names on the poster don't matter to movie goers quite as much anymore, forcing big stars to hopefully return to making, you know, good movies. --Gabrielle Dunn

6. Lindsay Lohan



Lindsay Lohan. By now, it's exhausting for us to type her name, let alone think about all of the crazy things that happened to her in 2010. The probation violations, the stint in jail, the trip to rehab, the 'Inferno' debacle -- enough already! It was just too much for one year. Of course, we'll always have a soft spot for her ('Mean Girls' forever!), and we do hope that she gets well soon. But if her 2011 is as rocky as her 2010 was, we're going to throw in the towel. --Andrew Scott

5. The MPAA



The MPAA has been a thorn in the side of cinema for years, but their decisions got particularly arbitrary, contradictory and ridiculous in 2010. We saw the powerful Yael Hersonski documentary 'A Film Unfinished' get an R, though similar Holocaust footage from 'The Last Days' earned a PG-13 rating. Their appeal failed.'Blue Valentine'was smacked with an NC-17 for some nudity and a clothed scene of Michelle Williams receiving oral sex– luckily their sexist-17 rating was overturned. But 'The King's Speech' lost its appeal and still has an R-rating for use of the F-word, which was used as a"release mechanism"to help the King overcome a stutter; cutting one F-bomb gave 'How Do You Know' a PG-13 instead of an R; and 'The Tillman Story' lost its appeal for the language used by the soldiers in the film. To top that off, torture porn easily slipped into R ratings, and the 'Breavement' poster was banned for a kid holding a weapon, though Hit Girl had no problem with hers on the 'Kick-Ass' posters. We love the smell of hypocrisy in the morning! --MB

4. Offensive Depictions of Race in Movies



Some of this year's movies weren't just bad, they also stirred up controversy and, understandably, offended many with their racial and cultural disregard. Let's see, there was 'Prince of Persia,' based on a hit video game, starring a white-looking, British-sounding Jake Gyllenhaal as a sword-weilding hero of Middle-Eastern descent. We're guessing all the buff, race-appropriate actors were booked? Tack on the harsh depictions of the local people, which seemed to support harmful stereotypes, and we'd say Disney was asking for a backlash. Next, there was the cringe-worthy ignorance displayed by the leading ladies in the globally-panned 'SATC 2,' wherein they galavant around Abu Dhabi (though, no scenes were actually filmed there). That's right, four martini-swigging, promiscuous characters known for dramatics concerning little more than sex were plopped down in a city with notoriously strict and sacred social norms. Needless to say, this horrid follow-up ticked off more than just the hopeful fans of the series.

Lastly, there's 'The Last Airbender,' from one of 2010's most hated-on men: The ego-maniacial, perennially disappointing Mr. M. Night Shyamalan. This depiction of a popular anime series played the age-old 'racebending' card, casting caucasian actors to play originally asian characters. The later casting of Dev Patel, British-born of Indian descent, to play a villain was perceived by many to reinforce a false idea that white means good and dark means bad. Hypersensitive or not, these glaring missteps were hard to ignore. -Alicia Roda

3. 3-D Conversion



If you ask James Cameron, 3-D will revolutionize how we watch movies, but even he agrees that conversion is pretty lame; in his own words, it's"fake 3-D."Nevertheless, we've been assaulted with a huge pile of converted movies. 'Deathly Hallows' might've been saved, but flicks like'Clash of the Titans'elicited moviegoer discontent with a third dimension that ruined the experience rather than enhancing it. And the craze isn't over yet. Prepare to see your Marvel avengers in converted 3-D, and, coming in 2012, the 'Star Wars' movies. There are no signs that the fad is slowing, and as long as the cash keeps flowing in, the crappy 3-D conversion will continue to descend. --MB

2. Movies That Bombed Despite Fanboy Love



So much for passion! It takes a lot more than lavish praise to make a worthy movie get the exposure it deserves.'Scott Pilgrim v. the World,' 'Let Me In'and 'Splice' were killer flicks that each earned a lot of fan love, with passionate bloggers pleading for the masses to hit theaters. Yet not one feature even made back their production budget, let alone became a financial success. 'Pilgrim' made $31.5 million on a $60 million budget, 'Let Me In' made $12 million on a more modest $20 million budget and 'Splice' made $17 million on a $30 million budget. It's a sad result that can still have a happy ending if you get out there and buy these films! --MB

1. Summer Movies



Of course it'd be crazy to imply that the season that delivered 'Toy Story 3,' 'Scott Pilgrim,' and 'Inception' was ALL bad, but there's little denying that, aside from a few sparkling exceptions, the 2010 Summer Movie Season was, well, pretty lame. Notable stinkpiles that still made huge cash include 'The Prince of Persia,''Sex and the City 2,'and'Grown Ups,' but there was also stuff like 'Jonah Hex,' 'The Last Airbender,'and 'Killers' to wade through. Many would also include Ridley Scott's'Robin Hood'on this list, but some of us actually kinda liked that flick. Bottom line: we need sturdier tentpoles for next summer. --Scott Weinberg


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среда, 29 декабря 2010 г.

Weekend Movie Preview: 'Blue Valentine,' 'Another Year,' 'Biutiful'


No more giant presents under the tree this weekend, at least in the form of new wide-release movies. Instead, there are some limited-release indie gems, all of them fascinated with human frailties and relationships, and all of them poised for possible Oscar glory over the next couple of months.

In Limited Release

'Blue Valentine'(R)

Starring:Ryan Gosling,Michelle Williams
Directed by: Derek Gianfrance
What's It About?This romantic drama takes an intimate look at the relationship of a young couple (Gosling and Williams), both during the excitement and fear of their early courtship and a few years later during the bitterness and recrimination of their failing marriage.
Why Should You See It?Gosling and Williams both give awards-caliber performances of raw, occasionally shocking honesty and bravery in this drama, whose poignance stems from the contrast between the back and forth scenes of the couple both then and now. There was some controversy over the movie's handful of frank sexual moments, which almost earned it an NC-17, but this is one film where you can say that the sex scenes are not exploitative and really do serve the story.
You Might Like It If You Like:'Revolutionary Road,''Eyes Wide Shut,''The Notebook'

Showtimes& Tickets|Read Our Review
10 Sexiest Movie Scenes of 2010 (and 5 Unsexiest)
Critics' Choice Awards Website Nominates the Wrong Michelle Williams
Parents TV Council Hasn't Seen 'Blue Valentine,' Still Upset Over Ratings Change

Watch a Scene From the Movie and Mr. Moviefone's Six Second Review


Also New and Noteworthy


'Another Year'is another comedy-drama from British kitchen-sink masterMike Leigh('Secrets& Lies,' 'Vera Drake'), this time about an aging couple (Jim Broadbent and Ruth Sheen) and their loose-cannon, newly single friend (Lesley Manville, whose performance represents the movie's best shot at an Oscar).

Showtimes& Tickets|Watch the Trailer|Read Our Review

'Biutiful,'a Spanish-language drama from Mexican film titanAlejandro González Iñárritu('Babel,' 'Amores perros'), starsJavier Bardem(in a performance likely to earn the 'No Country for Old Men' star a repeat visit to the Kodak Theatre) as a Barcelona black marketeer who must rearrange his complicated life when he develops cancer.

Showtimes& Tickets|Watch the Trailer|Read Our Review

Still in Theaters, Still Awesome


'True Grit'- There's a terrific performance in this Coen Brothers western - a turn that's fearless, fiery, commanding and full of horse-ridin', gun-shootin' action - from teen newcomer Hailee Steinfeld.Jeff Bridgesis pretty impressive, too.Showtimes& Tickets|Watch the Trailer
'Country Strong'- There's a terrific performance in this Nashville soap -a turn that's full of sexiness, conflict, danger, and surprisingly good singing - from 'Gossip Girl' star/movie ingenueLeighton Meester.Gwyneth Paltrowis pretty impressive, too.Showtimes& Tickets|Watch the Trailer
'Gulliver's Travels'- There's a terrific performance in this kiddie comedy - all right, you know this drill. It's a LilliputianJason Segelwho steals the movie from gargantuan Jack Black.Showtimes& Tickets|Watch the Trailer

Staying in This Weekend?

New on DVD This Week: Milla Jovovich returns to kick more undead butt in'Resident Evil: Afterlife,'the fourth installment of the zombie-fighting franchise. This one upped the gore and special-effects antes with some state of the art 3-D, but the movie should still look pretty formidable at home on your 2-D TV.Buy or rent the DVD|More new DVD releases

Movie Homework:Ryan Gosling sealed his status as one of the top romantic movie heartthrobs of our day in 'The Notebook,' but his intense romance with Michelle Williams in the new 'Blue Valentine' owes more of a debt to the indie-before--the-word-was-coined films ofJohn Cassavetes. The actor-director became known to his cult of fans (and to the many filmmakers he influenced) for his semi-improvisational, gritty, candid tales of passion, violence, betrayal and hard-won love. Like 'Blue Valentine,' his comedy'Minnie and Moskowitz'(1971) depicts an unlikely courtship between a fiery slacker (Seymour Cassel) and a woman who thinks she's too good for him (Gena Rowlands). It's the sort of defiantly ragged movie that's unlike the generally polished, glossy, more traditional Hollywood romances like 'The Notebook.' Though there is a connection: Rowlands (who was also Mrs. John Cassavetes in real life) appeared in 'The Notebook' as the older version of Gosling's flame, and the film was directed by John and Gena's son,Nick Cassavetes. So maybe that's where Gosling picked up the affinity for the elder Cassavetes' work that so clearly informs 'Blue Valentine.'Buyorrentthe DVD

On Our Netflix Queue:There's no better way to celebrate New Year's Eve than getting sloppy drunk with old college pals. At least, that seems to be the notion behind'Peter's Friends,'a comedy set at an English country mansion that plays like'The Big Chill'without all the politics or Motown songs and with more witticisms and heavy English cooking. Of course, the movie came out nearly 20 years ago, so looking at two-decades-younger versions ofHugh Laurie,Emma Thompson,Stephen Fry,Kenneth Branagh,Imelda Stauntonand token YankRita Rudnerhas its own added, unintentional nostalgia value.Buyorrentthe DVD

•Follow Gary Susman on Twitter @garysusman.


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вторник, 28 декабря 2010 г.

Top Ten Comedies of 2010


Sure, comedy is subjective, but there were so many diverse comedies in 2010, I can practically guarantee that more than a few of the movies on this list made you laugh out loud. There was a little something for everybody this year, and you can check out ten of our favorites below.

10.'Hot Tub Time Machine'-- There's got to be a place on this list for something truly stupid, and this movie, in which John Cusack travels back in time to the 1980s with the help of an enchanted hot tub, fits the bill. Yes, it's ridiculous, but for someone who grew up on the films of Savage Steve Holland ('Better Off Dead,' 'One Crazy Summer') it feels like an R-rated return to that wacky world.

9.'Cyrus'-- Surprisingly gentle and low-key considering its two stars (John C. Reilly and Jonah Hill) usually play broad. While it's not exactly a laugh riot, it has a sweet, honest emotional core that elevates it above the standard rom-com.

8.'Get Him to the Greek'-- The big difference between Aldous Snow in 'Forgetting Sarah Marshall' and this spin-off is that Russell Brand inhabits the role with genuine sadness this time. The film could have been a simple cartoonish follow-up, but director Nicholas Stoller doesn't take the easy route, injecting real tears-of-a-clown pathos into his rowdy comedy.

7.'Scott Pilgrim Vs. The World'-- At this point, I don't think Edgar Wright could release a comedy andnothave it show up on a year-end"Best of"list. This comic book adaptation carries over creator Bryan Lee O'Mallley's memorable characters and loopy asides with a visual flair barely hinted at in Wright's earlier work.

6.'I Love You, Phillip Morris'-- It's been a long while since Jim Carrey has found a role that clicks, satisfying his need to be taken seriously as an actor, while cashing in on his cartoony tendencies. 'I Love You, Phillip Morris' hits that sweet spot.

5.'Exit Through the Gift Shop'-- Banksy may dubiously insist that his documentary is 100% real, but that hardly matters. 'Exit Through the Gift Shop' is a hilarious and vital skewering of the art world, regardless. It's easily this year's funniest doc.

4.'Tiny Furniture'-- People who criticize Lena Dunham's film for being yet another whiny movie about privileged rich folks miss the entire point of 'Tiny Furniture.' The comedy comes from Lena's character's sense of entitlement and laziness amidst people far more ambitious and tenacious than her. Dunham is a sparkling new voice as a comedy writer, and I look forward to her next project -- a television series for HBO.

3.'Easy A'-- In a perfect world, 'Easy A' would have grossed over $100 million dollars and we'd be talking about Emma Stone as The Next Big Thing. Stone gives an honest-to-goodness star-making performance here, proving herself to be a formidable and unique new comic talent. (Also, I wish someone would make an entire film about Stanley Tucci and Patricia Clarkson's characters.)

2.'Toy Story 3'-- Easily the most crowd-pleasing comedy on this list, 'Toy Story 3's' delightful riff on prison movie cliches provided last Summer's biggest belly laughs. In fact, there may not be a single sequence in a movie from 2010 that caused as much audience laughter as the"Mr. Tortilla Head"escape.


Movie Videos& Movie Scenes at MOVIECLIPS.com
1.'Four Lions'-- Somewhere between the willfully ignorant idiocy of a character like Ali G and the knife-sharp social satire of 'Dr. Strangelove' lies 'Four Lions.' This is the year's most quotable film ("If was a mosque, which I'm NOT..."), and while its subject matter (terrorism) may cause some to balk, it's practically guaranteed to become a cult hit over time.

Missing this list by a hair are two different odes to stupidity --'MacGruber'and'Jackass 3-D.''MacGruber' turned out to be the best SNL adaptation in ages, while 'Jackass 3-D' provided exactly the kind of ball-crushing action you've come to expect from the gang.

Some of the best comedies are still making the festival rounds, but if you get the chance, make sure to see'Tucker and Dale Vs. Evil'and'A Somewhat Gentle Man.''Tucker and Dale' is a satisfying horror-comedy that turns the conventions of the killer hillbilly subgenre on its head. 'A Somewhat Gentle Man' is a bittersweet character study, starring Stellan Skarsgard as an ex-con trying to make good.

As for 2010's biggest stinkers? Avoid 'Cop Out,' 'The Spy Next Door,' and 'The Back-Up Plan.' You'll save yourself 270 minutes worth of pain and suffering.


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понедельник, 27 декабря 2010 г.

Monday Morning Discussion: Should Jack Black Stick to Supporting Roles?



Did you have a good holiday weekend? If you'reJack Black, probably not so much. In'Gulliver's Travels'he plays Lemuel Gulliver, a magazine mailroom worker who improbably gets shipwrecked on Liliput, an island of tiny, tiny people, and becomes an ego-inflated"hero"before trouble arises. The film opened on Saturday;our critic William Gosssays it is"depressingly dependable on disappointing good taste and moderate expectations at every turn."Adding injury to insult, 'Gulliver's Travels' faredpoorly at the box office.

Asour own Jeffrey M. Andersonpointed out a couple of years ago, Black has given good performances in smaller roles, in everything from 'High Fidelity' (this writer's personal favorite) to 'Jesus' Son' to 'Dead Man Walking.' Aside from 'The School of Rock,' however, Black has been a disaster in major roles, even those where he didn't play the lead ('Shallow Hal,' 'Envy,' 'King Kong,' 'Nacho Libre,' 'Year One'). Is it the man or the material?

Black fits the part in 'Gulliver's Travels' -- or, rather, the part fits him, tailored to his proportions and, to some degree, his on-screen persona -- but we wonder if it's a more fundamental problem. Are his particular talents too limited or ill-suited to play lead roles? While it's doubtful that any other actor could have salvaged this particular movie, we couldn't help wondering if Black, and audiences in general, would be better off if he resumed doling out his feisty character antics in smaller doses and stick to supporting roles.

What do you think?


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